AND ALSO HOW TO FIX THEM:
We all have some mistakes we make as we take photos. Some we have mastered already. Some, we are going to make in the future. This article should cover a lot of common mistakes, that if you are aware of them, should help you become more of a master photographer sooner.
I have found an article written by: RAJIB MUKHERJEE That just explains it all very well. Thanks to PictureCorrect for posting this article. This is one that I think covers almost all of the mistakes I can think of.
1- LIGHT AND SHADOW:
Many times choosing the wrong spot for taking your images can ruin the shot, even though you are standing at a beautiful location, such as when your model stands bang in the middle where light and shadow seems to intertwine. Cameras don’t like extreme differences between light and shadow areas. As a result, your camera will either expose for the bright side or the shadow side, thereby under-exposing the shadow side or over-exposing the bright side, respectively.
Much of the aesthetics of a good image depends on the location where you ask your subject to stand, meaning, the background. Most people are hesitant to ask. The result is boring and downright distracting images. Be open to move your subject around and you could get much better shots.
Another tip that Cable shares is to try and work with darker backgrounds. The human eye is attracted to the brighter part of the frame, which is the subject’s face, rendering the background almost invisible.
Focusing is a critical skill in the whole process of photography. No matter how beautiful the subject or the background is, if your focusing is incorrect you will end up with a poor image that fails to draw the attention of the viewer. So, if you are shooting portraits, invariably the point of focus should be on the eye closest to you.
While there is absolutely nothing wrong with shooting in aperture priority mode, choosing the wrong aperture is a common mistake. Aperture allows you to decide how much of the frame you want to be sharp. In other words it is what decides depth of field.
The left uses a big aperture and results in a shallow depth of field. The image on the right uses a small aperture and results in a big depth of field
5- COMPOSITION:There are hundreds and thousands of examples of bad compositions littering the Internet. The most important thing that photographers must be clear about is the subject matter of their photos. That in itself can lead to better images. When required, change the perspective to shoot low or shoot only from the waist up or shoot from a close distance. Not to mention the many opportunities when you can make a great shot by shooting off-center.
The shot of the Indy car on the left was shot at 1/40 of a second where as that of the slider on the right was at 1/8000 of a second.
9- CAMERA BASICS:
There are certain things that you need to learn and incorporate into your system while you are still learning the tricks of the trade. These are the basic dos and don’ts. So things like using a lens hood backwards or holding the camera incorrectly or not using a wide stance when photographing have to be corrected very early.
10- TRYING TO SHOOT AT NIGHT WITHOUT USING A TRIPOD:
If the light is low and you want to shoot at a slow shutter speed, use a tripod and turn off your flash (unless of course you have someone in the frame).
How many times have you been guilty of looking for the obvious while there’s something interesting happening in another direction? As Cable puts it, “The best shot isn’t always in front of you.”
This is something that a lot of us are guilty of, having the subject stand in front of a wall or a bush. This causes strong shadows and it is difficult to have subject separation.
13- SHOOTING:Memory is ridiculously cheap. There is absolutely no reason for you to try to save memory space. Shoot as much as your memory cards allow. That way you have enough shots to pick from.
Thinking outside the box is not just a piece of advice, it becomes a necessity at times. Being imaginative is the first rule of being a photographer, and that alone can help you to shoot better images. To demonstrate this, Cable shows this image he shot at the Sochi Olympics:
“The spotlights over the arena had come down and kind of blasted this one area and I thought, ‘Shoot, that’s going to mess up all my shots.’ Until I realized, wait a second, I can meter this differently, and actually highlight that.”
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